Met: Live in HD
Grand opera returns to the Big Screen with the 2021–22 season of Live in HD transmissions. The exciting lineup features ten stunning productions, including four Met premieres, all featuring opera’s greatest stars.
Dozens of renowned Met singers bring their artistry to 10 thrilling new productions throughout the season. New productions for the 2021-22 season include Boris Godunov, Fire Shut Up In My Bones, Eurydice, Cinderella, Rigoletto, Ariadne auf Naxos, Don Carlos, Turandot, Lucia di Lammermoor and Hamlet.
Dozens of renowned Met singers bring their artistry to 10 thrilling new productions throughout the season. New productions for the 2021-22 season include Boris Godunov, Fire Shut Up In My Bones, Eurydice, Cinderella, Rigoletto, Ariadne auf Naxos, Don Carlos, Turandot, Lucia di Lammermoor and Hamlet.
Boris Godunov – 9 October
Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia, kicking off the Live in HD season on October 9, 2021. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.
Fire Shut Up In My Bones – 23 October
Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside soprano Angel Blue as Destiny/Loneliness/Greta, soprano Latonia Moore as Billie, and Walter Russell III as Char’es-Baby.
Eurydice – 4 December
The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story. With a libretto by Sarah Ruhl, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the December 4 transmission, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself.
Cinderella – 1 Jan
In this New Year’s Day performance, Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.